FATHERLAND, HAMPSTEAD THEATRE DOWNSTAIRS.
FATHERLAND, HAMPSTEAD THEATRE DOWNSTAIRS.

Writer. Nancy Farino

Director. Tessa Walker

Fatherland captures the complexity between a father and daughter as they travel to County Mayo on a bus recently bought by Winston. All characters are hiding personal struggles and dreams sequences and flashbacks appear abstractedly to break an otherwise linear narrative.

Our approach was to hold onto this abstraction in order to show the intimacy and tenderness visible in Joy’s relationship with herself, Winston’s desire for connection and Claire’s search for the truth.

The minimal set helped to evoke driving at night with a painterly monochrome floor within the long thrust stage. The costumes are embedded within the overall palette.

Abstracting the crash using stylised lighting and movement helped to bring a visual poetry to a defining moment within the production.

Set and Costume designer.

Lighting. Christopher Nairne | Sound Khalil Madovi | Movement. Rebecca Wield | Production Manager. Josh Collins

Photographer. Pamela Raith

Images 1-5

118_O0A0284_FATHERLAND_Pamela Raith Photography.jpg
134_41A1276_FATHERLAND_Pamela Raith Photography.jpg
072_41A0946_FATHERLAND_Pamela Raith Photography.jpg
164_O0A0875_FATHERLAND_Pamela Raith Photography.jpg
IMG_3336 BW.jpg
IMG_3344.jpg
FATHERLAND, HAMPSTEAD THEATRE DOWNSTAIRS.
118_O0A0284_FATHERLAND_Pamela Raith Photography.jpg
134_41A1276_FATHERLAND_Pamela Raith Photography.jpg
072_41A0946_FATHERLAND_Pamela Raith Photography.jpg
164_O0A0875_FATHERLAND_Pamela Raith Photography.jpg
IMG_3336 BW.jpg
IMG_3344.jpg
FATHERLAND, HAMPSTEAD THEATRE DOWNSTAIRS.

Writer. Nancy Farino

Director. Tessa Walker

Fatherland captures the complexity between a father and daughter as they travel to County Mayo on a bus recently bought by Winston. All characters are hiding personal struggles and dreams sequences and flashbacks appear abstractedly to break an otherwise linear narrative.

Our approach was to hold onto this abstraction in order to show the intimacy and tenderness visible in Joy’s relationship with herself, Winston’s desire for connection and Claire’s search for the truth.

The minimal set helped to evoke driving at night with a painterly monochrome floor within the long thrust stage. The costumes are embedded within the overall palette.

Abstracting the crash using stylised lighting and movement helped to bring a visual poetry to a defining moment within the production.

Set and Costume designer.

Lighting. Christopher Nairne | Sound Khalil Madovi | Movement. Rebecca Wield | Production Manager. Josh Collins

Photographer. Pamela Raith

Images 1-5

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